From 1998 to 2016, Amy Stacey Curtis completed an 18-year commitment to interactive installation art, 9 solo-biennial exhibits of large-in-scope, participatory works in 9 vast mill spaces throughout Maine, USA. Curtis mounted 81 installations in 8 Maine towns while cleaning by hand each historic space (averaging 25,000 square feet). Each solo biennial was a 22-month process exploring a different theme, inviting audience to perpetuate and resolve each exhibit's 9 unique works.

MEMORY (2016)
MATTER (2014)
SPACE (2012)
TIME (2010)
LIGHT (2008)
SOUND (2006)
CHANGE (2004)
MOVEMENT (2002)
EXPERIENCE (2000)
book: 9 SOLO BIENNIALS









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